Rhian Tarling.

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alisonkatecarter:

Coca-Cola, Start Again

Project Description: Coca-Cola celebrates the end of summer and the joyful return to daily activities, offering consumers a special edition of the legendary glass bottle: an original interpretation of the brand personality through a series of three creative subjects. What catches the attention is the movements, the depth of shading, the colors that convey all brand values in a stylish way.

Designed by Artefice Group, Italy

Source: The Dieline

(via laura-phoebe)

buromarks:

http://www.workinprogress.no/the-apartment-03-catalogue/

urbmath:

William Branton - New grids

onegreengirl:

Documenta 13, Leftloft

lynnvandenberg:

Visualize the ways of colors

visualgraphic:

EASY

(via tilds-archive)

thedsgnblog:

Beste Birer   |   http://bestebirer.com

“Inspired by the ‘motivational’ comments in design school.”

I recently graduated from Graphic Design Department of Mimar Sinan Fine Arts University in İstanbul, Turkey. I am currently in Wellington, New Zealand.

the design blog:  facebook  |  twitter  |  pinterest  |  subscribe

maybeitsgreat:

Mapping Festival by Jérémy Tourvieille, 2012, Switzerland

(via fongshui)

urldesmadrada:

Todos tenemos un obscuro y profundo secreto, mas que nada por pena al juicio y miedo a la condena de los demás. En esta idea se basó Candy Chang y creó una oportunidad  para (anónimamente) sacar esa cosa a la luz, compartirla con extraños y hacer conciencia de que todos escondemos algo. Hay que compartir.

maybeitsgreat:

In Pursuit of Modern Form, 2009 by Everything Type Form from USA

(via haagenhaas)

designriver:

TERROIR Magazine by Pepper & Cinnamon

sannedeblock:

This is a self-initiated typographic experiment that explores the relationships between upper-case letters and lower-case letters, and also records the transformation between them.

In this experiment, I drew shapes with ink on one or both of my hands, manipulating my gestures into the corresponding shape to signify an upper-case letter. Then, using the same shape on my hands, I manipulated mygesture or changed the perspective through which the shape is viewed in order to transform the upper-case letter to a lower-case of the same letter. Removingor redrawing the darkened shape on my hands is not allowed in the experiment. The only way to make the model transform from an upper-case to a lower-case (orvice versa) is changing the gestures or the perspectives. ” Tien-Min Liao

creasenso:

Dominique @ Creasenso
lfd23:

Mildred & Duck 
http://mildredandduck.com

nevver:

Mikko Kuorinki

(via dancingraphics)